The Midnight News is unlike any other World War II era novel I’ve read. Part love story and part mystery, I found Jo Baker’s plot intriguing, her characters engrossing, and the twist at the end of the novel masterful. A riveting story about resiliency and survival.
You won’t find the secret of life buried here among the sentences and paragraphs, what you will find, however, will be transparency and authenticity – you’ll find a woman who has come to terms with being referred to as elderly … because, frankly, Abigail Thomas’s eighty is nothing you’ve experienced before.
McDaniel’s strength lies in her lyrical prose and character development. I cared for the twins and their ragtag family of friends, but I also despaired for their future, and raged at a world where the women were not considered victims, but somehow implicated in their own demise. Women in abusive relationships are often told they deserve to be mistreated and women who use drugs and prostitute themselves to make a living are told they are asking for it. ON THE SAVAGE SIDE is a testimony to missing women everywhere. Bravo to McDaniel for lifting up these silenced voices.
BROTHERLESS NIGHTS is an engrossing and heartrending read, and Sashi is a heroine for the ages. Ganeshananthan writes brilliantly about a complex subject, casting a spotlight on the forgotten heroes and victims of war.
Transracial adoption is never tidy, and cannot be encapsulated in an individual story, but Gibney does a masterful job of helping the reader understand the complexities of identity and the machinations of the adoption industrial complex. A writer with courage and heart, Gibney lays bare her experience for the benefit of us all.
I first became aware of author Rachael Hanel when I read her memoir, We’ll be the Last Ones to Let You Down, Memoir of a Gravedigger’s Daughter. Her newest project, out this month from University of Minnesota Press is a biography of Camilla Hall – NOT THE CAMILLA WE KNEW, ONE WOMAN’S PATH FROM SMALL-TOWN …
There are many moments in AS LONG AS I KNOW YOU, that will be familiar to anyone who has been a caregiver of an elderly parent – the power struggles, the heart-wrenching decision making, and the unabashed tenderness and expressions of love that are unbound as a loved one faces the end.
O’Farrell follows Agnes into the woods, into the field, and into the depths of her despair. Her writing is lyrical and layered, her characters are complex, and their relationships are complicated. There will be no easy passageway through this grief, and dear reader, you should be forewarned to have a tissue within reach, but you will be carried along by a mother’s love and a father’s remorse. “There will be no going back,” O’Farrell writes, “Time only runs in one direction.”