Superior Reads

A PLACE FOR READERS AND WRITERS

The Midnight News is unlike any other World War II era novel I’ve read. Part love story and part mystery, I found Jo Baker’s plot intriguing, her characters engrossing, and the twist at the end of the novel masterful. A riveting story about resiliency and survival.

The Art Thief, A True Story of Love, Crime, and a Dangerous Obsession is a propulsive read, meticulously researched and compellingly told. I look forward to Finkel’s future books.

Brimful of touching, joyful, heartbreaking, and life affirming tales, THE OTHER FAMILY DOCTOR is a must-read for animal lovers and pet owners.

McDaniel’s strength lies in her lyrical prose and character development. I cared for the twins and their ragtag family of friends, but I also despaired for their future, and raged at a world where the women were not considered victims, but somehow implicated in their own demise. Women in abusive relationships are often told they deserve to be mistreated and women who use drugs and prostitute themselves to make a living are told they are asking for it. ON THE SAVAGE SIDE is a testimony to missing women everywhere. Bravo to McDaniel for lifting up these silenced voices.

BROTHERLESS NIGHTS is an engrossing and heartrending read, and Sashi is a heroine for the ages. Ganeshananthan writes brilliantly about a complex subject, casting a spotlight on the forgotten heroes and victims of war.

This story of an unlikely pair of detectives, inspired by one of literatures first detectives, is a window into the world of mid-nineteenth century women living in a male-dominated world and the rough and tumble world of prospectors, sailors, and the Wild West of a bygone era.

THE WHALEBONE THEATRE is a stunning debut – full of adventure and intrigue, Dickensian characters, and a mildewed mansion on the seaside. Joanna Quinn sets the stage for an immersive read, an escape from the doldrums of winter.

Whether Dani Shapiro is writing fiction or memoir, her writing is always reflective and wise. Signal Fires, her first novel in fifteen years, follows on the heels of her poignant memoir Inheritance, and, like that memoir, examines the complexities of family relationships and the secrets that bind them together and tear them apart. Signal Fires …

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There were moments at the beginning of the book where I felt that more editing would have been helpful – a little too much book title dropping to establish Beach’s credentials as a bibliophile and set the historical stage, felt forced, but once I got into the story of Beach’s incredible feat – a woman in the 1920s who took on a publishing world largely run by men – I was encouraged to read to the end.

O’Farrell follows Agnes into the woods, into the field, and into the depths of her despair. Her writing is lyrical and layered, her characters are complex, and their relationships are complicated. There will be no easy passageway through this grief, and dear reader, you should be forewarned to have a tissue within reach, but you will be carried along by a mother’s love and a father’s remorse. “There will be no going back,” O’Farrell writes, “Time only runs in one direction.”